Still Life

Sighting is the process of checking position and proportion of your subject. Usually a straight stick is used. For our project we used a bamboo stick. Unit of measure if a smaller compositional element where height and width are clearly defined and can be used for measuring the relative proportions of the rest of the composition.  This was the first still life. It was fun to do, but for me technically challenging. I enjoyed using the plum lines to center objects and the properly place them in relation to the other objects. We still have not added values to our work. That is coming soon!

The written Sketch book-Journaling

The written sketch book is a class offered by Lynn Krawczyk. It is a writing class designed to improve your creative and artistic abilities. I joined for a number of reasons. Number one, I love to write. Number 2, despite everyone telling me I need a sketchbook, I have never kept one. Yes, perhaps that is why I can be such a scatter brain, all these ideas floating around in my head, and nothing written down. So I decided to join the class. The first writing prompt inspired me to actually draw some flowers that I had in my house. (I used these for one of my drawing assignments.) I decided to sketch them with water colors and gellato's. I am hoping this is the impetus for me to actually keep a journaling sketch book, so that I  may log ideas, thoughts, and inspirations for future projects.

The depths of Michigan

Quilting Arts Magazine has a challenge titled "Map it Out". I have done two quilts for this challenge. This quilt was a tribute to a topographical/nautical map. It is a whimsical interpretation and not a literal depiction of the depths of the lakes, and elevation of the land. The quilt was sketched from a map, and then traced using a light box onto doubled sided stabilizer. The quilt was machine quilted. A small compass was added for 3 dimensional effect.

Treasure Island-X marks the spot

Quilting Arts Magazine has a quilt challenge six times a year. I try my best to enter all of them. The latest challenge was called "Map It".  While working on a quilt for this challenge, I decided to do a second quilt. I have always loved treasure maps, treasure hunts, and legends. This quilt was done by using my printer to print out some over layed maps. Using photoshop I altered the maps to make them an old yellow/brown color. I then hand stitched the path to the treasure with black embroidery floss. The X was made from a red metallic paper. The treasure chest was the most fun. The actual chest was made from a plastic pin box. I used rub and buff in gold, silver, and blue to alter the clear plastic into a rustic piece. The "jewels" were left over beads, baubles, and other gems. The palm trees were small scrap booking pieces that were altered using the rub and buff. They were adhered with E6000. The small skulls were actually buttons that I was able to sew on. The compass was stamped with tea dye Tim Holtz distress ink.

Ice Dyed Fabric 2013

Ice dying has been a favorite of mine. You never know what you are going to get. I did three pieces of fabric in this dye lot. The colors I used were pink, orange, yellow, and green.  There were two types of fabric. Cotton and a velveteen (top photo). This process renders results that are so unique and they just can't be duplicated. The pattern is a function of how the ice melts, how the fabric is scrunched or folded, and the fabric contents. Natural fibers are a must, but texture to the fabric really enhances the results. The fabric is first washed in soda ash. This allows the dye to bind to the fabric. The fabric is then placed on a screen, I use cookie drying racks. The racks should be suspended so the ice can melt and the water falls through the fabric and rack into a reservoir. The ice is applied and then approximately 1/2 teaspoon of dye is sprinkled over the ice. Wait 24 hours for the ice to melt and voila you have unique fabric. The complete instructions can be found in quilting arts magazine volume 52.

Contour Drawing

A contour is defined as more than just the outline of a figure or object. It is a linear exploration of outer and inner edges.

This drawing was not a still life, but rather a combination of still life objects. We had to use "leafy" objects. The ones in my drawing are lettuce, pine cone, lily, and cat tails. The point of this drawing was not to introduce value by shading, but rather develop depth with the thickness of the line.

Lessons from Brad Deroche-Via Ira Glass

Dr. Deroche is a classical guitar teacher at Interlochen, CMU, and Delta College.  He is an amazing instructor and a deep thinker. He has all these amazing quotations on his door and often will discuss interesting perspectives during class. I can tell you I am a better person having known him. I walked by his door this year during a drawing break to find this quote. Wow, does this sum up how I feel most days of creating.  I had to smile at the fact that my work disappoints me due to my good taste. What a concept. So here is to a lot of work that may fall into the category of disappointing.......I am working on closing the gap.

“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.” 
― Ira Glass